Aristocrat, murderer and composer of extraordinary music hundreds of years ahead of its time – join for an exploration of the 16th-century Prince of Venosa and Count of Conza, Carlo Gesualdo.

The Marian Consort performs music from two golden ages of English music. Works by sixteenth-century masters Byrd, Tallis and Robert Parsons rub shoulders with modern classics from some of the finest composers of our own time, many written especially for the luminous voices of The Marian Consort.

A programme of vocal and instrumental music from Venice and the Dalmatian Coast.

An exploration of flowers and gardens by Spanish composers of the late Renaissance with Benjamin Britten’s five playful Flower Songs.

Music by Vicente Lusitano, the first published composer of African descent, and his contemporaries.

Created especially for Blythburgh Church at dusk, this flow of music spans millennia and links two of the earliest female composers with classics of the choral repertoire.

Part performance, part installation, Face to Face contemplates bodies, desire and intimacy. Renaissance madrigals and new music by Joanna Ward forms the core of a rich and emotionally-charged musical encounter.

An exploration of flowers and gardens by Spanish composers of the late Renaissance with Benjamin Britten’s five playful Flower Songs.

Music by Vicente Lusitano, the first published composer of African descent, and his contemporaries.

As part of Ryedale Festival’s famed triple concert, we present present a programme featuring early English composers and comtemporary works.

Featuring music by Allegri, MacMillan and Palestrina in the stunning acoustics of Selby Abbey.

The Marian Consort presents a programme of sumptuous Renaissance polyphony from some of Scotland’s few surviving sixteenth-century manuscripts.